Art Roundup – February 2015

Man, the months sure do speed by. This month begins with the tragic news of the conflagration at a huge library in Moscow that destroyed well nigh on a million documents. It boggles the mind that even in the 21st century with every manner of fire-proofing available, it is still possible to lose treasures at such staggering rates.

Patrol

Patrol, by Nikolai Roerich. (1905).

Meanwhile, in London’s Whitechapel Art Gallery there continues an exhibition on Geometric Abstraction, which traces the story of abstract art following Malevich’s black quadrilateral: Adventures of the Black Square continues till April 6, 2015, and features not only Russian abstractionists but also works from Latin America and Iran, among others. I’ll be sure to nip over to this one – it’s not far from my workplace.

Over in New York, there is an exploration of views on the Russian avant-garde by the new Left, contemporary artists left cold by the increasingly conservative and nationalistic official culture. At The James Gallery is Specters of Communism: Contemporary Russian Art, running from February 7 to March 28, 2015.

In honour of the centenary of the birth of the great collector George Costakis, the State Tretyakov Gallery in Moscow has organised Georgy Costakis: Departure from the USSR, exhibiting choice selections of works he donated to the gallery when he emigrated in 1977. You only have a week to savour this special exhibit – it ends February 8, 2015 – but as the art works are in the Tretyakov anyway, you probably won’t miss much even if you didn’t go.

And to bring up the rear, the Samara Art Museum in Kuybyshev has an exhibition of Nikolai Roerich‘s work, running till February 23, 2015.

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