Avant-Garde Outing

The same day I saw the Popkov exhibition at Somerset House, I also nipped into the St Petersburg Gallery where there was a display of Russian avant-garde works. I took a few a pictures with my Moto G, and as you can see, the picture quality isn’t great.

The curators of this show (Russian Revolution in Art, Russian Avant-Garde: 1910 – 1932) focused on a major dichotomy of the modernist period – figurative vs non-figurative art. While artists, joined up in a multitude of movements, claimed that art was separate from the real world, they continued to investigate abstraction and rhythm, and created new colour and plastic compositions.

The exhibition has more than sixty pieces: paintings, drawings, craft and sculptures. There are suprematists and constructivists, ceramicists and non-objectivists. There is a St Petersburg circle, a Malevich circle, a Moscow circle. There even is a set of Kandinskys before that worthy legged it to Germany. The exhibition continues to September 20, 2014, so if you’re in London, do take a look.

Rayonist composition, by Alexander Bogomazov. (1914).

Rayonist composition, by Alexander Bogomazov. (1914).

Women in interior, by Sonia Delaunay. (1923).

Women in interior, by Sonia Delaunay. (1923).

Self-portrait, design for the exhibition catalogue's cover, by Sonia Delaunay. (1916).

Self-portrait, design for the exhibition catalogue’s cover, by Sonia Delaunay. (1916).

Rhythm, by Vladimir Baranov-Rossine

Rhythm, by Vladimir Baranov-Rossine

Rooftops, by Marie Vassilieff. (1915).

Rooftops, by Marie Vassilieff. (1915).

The Night Rider, by David Burliuk. (1911).

The Night Rider, by David Burliuk. (1911).

Design for cover of Exhibition Catalogue 5x5=25, by Liubov Popova. (1921).

Design for cover of Exhibition Catalogue 5×5=25, by Liubov Popova. (1921).

Construction ordinate according to different points of view, by Alexandra Exter. (1922-23).

Construction ordinate according to different points of view, by Alexandra Ekster. (1922-23).

Circles in a suprematist cross, by Ilya Chashnik. (1926).

Circles in a suprematist cross, by Ilya Chashnik. (1926).

Colour lines in vertical motion, by Ilya Chashnik. (1923-25)

Colour lines in vertical motion, by Ilya Chashnik. (1923-25)

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